“I get off stage, and Paul and Gene want to talk to me: ‘We think you’d be perfect for Kiss. Would you consider playing a Les Paul?’” White Lion’s Vito Bratta on the time he nearly joined Kiss – and his failed Ozzy Osbourne audition
“Everyone I know that has bought a ’Burst in the last five years is playing that guitar every single day”: Gibson’s Mark Agnesi debunks the myth that its most valuable builds are kept under glass | The world’s longest guitar? This YouTuber built a beastly three-neck acoustic – and somehow made it playable | “If you’re wondering why I’m wearing just socks, it’s just much easier to tap-dance pedals like that!”: Code Orange guitarist Reba Meyers takes pedal demos to new heights in this tripped-out new mega jam
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The firm's Head of Brand Experience – a former vintage guitar dealer – also says it's time we accept that even a 'Burst needs a re-fret once in a while
15 stompboxes, 3 expression pedals, and only 1 Reba Meyers: The experimental hardcore and metal guitarist is back and making magic in her latest demo
Mix Sound for Film & TV | September 30 We're excited to welcome you to our 10th Anniversary at Sony Pictures Studios! Join us for this one-of-a-kind gathering, celebrating the talent and technologies that drive the ever-changing audio post-production industry. Register Now
Now onto his second signature Fender, grunge's answer to Stevie Ray Vaughan reflects on his greatest Stratocaster moment, how Eddie Van Halen and Chris Cornell inspired his guitar playing, and why you should be excited for the next Pearl Jam album – oh, and his rock opera about the Seattle scene
In this classic GP interview, the legendary Living Colour guitarist discusses why he embraced his fusion side – despite that word's "dirty, dusty, foul" reputation – on his 2006 solo LP, and how his relationship with two-handed tapping has changed over the years
He's played with Eric Clapton, the Everly Brothers, Emmylou Harris, the Crickets, Joe Cocker, and countless others, but – as he told GP in this 2010 interview – Albert Lee is always, still, looking for "that perfect night onstage"
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