Rachel Connolly: There was a boy at my school in Belfast who used to sing a Protestant song on St Patrick's Day every year. I don't remember all the lines, but the chorus went something like: "You can celebrate St Patrick's Day, you can dye the river green, but when the day is over you're still governed by the Queen." I don't remember this song because it was unusual or transgressive – it was just catchy. This boy certainly wasn't an outlier, a lot of us did things like this; both those from the Catholic community, like me, and those from the Protestant one, like this boy. Northern Ireland was, and is, a deeply sectarian, post-conflict society. I don't think you can blame teenagers in that context for doing things that are stupid or a bit offensive – for not knowing any better, essentially. The song is a fairly innocuous (and dare I say camp) example of the kind of cultural signifier I associated with the royal family when I was growing up. To me, it was inextricably linked with Northern Irish Protestantism and unionism, in both its moderate and extreme forms. This was a world of curbstones painted red, white and blue; 12 July bonfires; golf (yes, the sport); Orange Order marches; Ulster rugby; graffiti that says things like 'Kill All Taigs'; the Christmas figurines a good friend of mine had on her family tree that said 'Ulster Says Snow' and 'Snow Surrender'; my own school, which was a Protestant grammar school; stories from family members about terrible things the British army did to poor Catholic communities during the Troubles; slogans like 'Stand Up For The Ulsterman' and 'For God And Ulster'; some of my closest friends; colonialism; Disneyland Florida (which my mum insists is Protestant); and the Democratic Unionist party – in particular, Ian Paisley with his famous refrain: "Never, ever, ever surrender!" This list could be a lot longer. But you know what I mean. Or you don't, because you didn't grow up with it, and however well I try to explain it these symbols will be meaningful for me in a way they never will be to you. It's like trying to represent a four-dimensional shape: no construction of lines and intersecting planes can truly account for the difference in conceptual environments. This list could be ten thousand words, a documentary, or a novel. It still wouldn't reflect a culture, with all its nuances, sentimentality and weirdness. |
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