Created for sauuuuul.peliculas@blogger.com | Web Version
This is a paid advertisement.
Designed by PRS Guitars in Stevensville, Maryland and made in the USA, PRS Pedals are quality pieces of gear ready for the studio and the stage. All PRS Pedals feature through-hole construction, which allows the best-sounding parts to be used. PRS pedals are also true bypass, so they are out of the signal chain when turned off, allowing players to have uncolored tone at the tip of their toes.
HORSEMEAT - TRANSPARENT OVERDRIVE
We developed the Horsemeat transparent overdrive pedal to enhance your sound without coloring your tone. Horsemeat adds harmonic midrange richness and overdrives without cutting out your high notes - all while giving you more available headroom. It features a robust EQ section so you can dial in your tone and has a wide range of gain on tap. Depending on the setting, Horsemeat can be used as a clean boost, straight overdrive, or even enhance your amplifier's distortion by slightly pushing the front end of the amplifier's preamp section.
The PRS Wind Through the Trees dual analog flanger pedal is best described as two flangers fighting each other, resulting in a sound reminiscent of the wind whipping through the trees. With Manual, Depth, and Rate controls per flanger as well as global Regeneration and Added Highs, Wind Through the Trees offers nearly endless tonal possibilities. Bottom line, Wind Through the Trees offers hours of fun for any player.
The Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.
About this email: Future will occasionally send emails from our business partners promoting products and services likely to be of interest to our readers.
Vito Bratta recounts his emotional meeting with Eddie Van Halen: "I was touched enough to where I had to leave the room, go to the bathroom, and cry" | Electro-Harmonix’s most metal pedal yet: the Hell Melter takes the Boss HM-2 circuit to new extremes | Yvette Young: “I’m really optimistic about the future of guitar. It’s being used in a creative way and people don’t know all the cool sounds you can get from it”
Created for sauuuuul.peliculas@blogger.com | Web Version
One of the most original guitarists on the planet, Young combines innovation with accessibility on the new Covet album, Catharsis. Here, she explains why she’s the virtuoso who just “fell into” the guitar scene
The Firebird-loving guitarist/producer and Run-DMC legend discuss their mission to prove hip-hop can be just as heavy as metal, getting gear tips from Billy Gibbons, and why Gibson humbuckers are the foundation of funk and soul guitar
As the L-5 celebrates its 100th anniversary this year, we take a look back at the evolution of Gibson's seminal f-hole jazzbox with archtop historian Thomas Van Hoose, and examine how this watershed design set benchmarks in guitar building